Editors:
- Ralph Beliveau, Gaylord College of Journalism and Mass Communication, University of Oklahoma - Personal Website, Academia.edu, Google Scholar, ResearchGate

- Lisa Funnell: Personal Website

Contents:

	Acknowledgments (p. vi)
	Introduction: The Promise of #MeToo as a Theoretical Lens (p. 1) Lisa Funnell and Ralph Beliveau
	Part I Sexual Politics and Violence in Established Genres
	Delightful Duties? Sexual Violence in the Connery-Era James Bond Films (1962-1971) (p. 11) Lisa Funnell
	Before #MeToo: Maria Schneider and the Cultural Politics of Victimhood Sabrina Moro (p. 29)
	A Rapist in My Apartment: Class, Rape, and Saturday Night Fever Katherine Karlin (p. 47)
	Deny the Beast: The Howling (1981) and Rape Culture Brian Brems (p. 63)
	A Woman of Obvious Power: Witchcraft and the Case against Marital Rape in 1980s America Emily Naser-Hall (p. 79)
	Part II Consequences and the Fixing Gaze: Surveillance and Rape/Revenge
	“The Rapiest Film of the 1980s”: Analog “Revenge Porn,” Raced and Gendered Surveillance, and Revenge of the Nerds Julia Chan (p. 95)
	“Nothing happened to her that she didn’t invite”: Wes Craven, Rape Culture, and the Scream Trilogy Brittany Caroline Speller (p. 117)
	Survivors in Rape-Revenge Films: Melancholic Vigilantes Amanda Spallacci (p. 135)
	Painting Pain on Her Skin: Vigilante Justice and the Feminist Revenge Heroine in The Girl with the Dragon Tattoo Nicole Burkholder-Mosco (p. 155)
	Part III Teen Comedies and Women’s Horror Stories in the #MeToo Era
	Taking Consent into Account: American Teen Films amidst #MeToo Michele Meek (p. 175)
	Flipping the Script on Consent: Re-centering Young Women's Sexual Agency in Teen Comedies Shana MacDonald (p. 193)
	Seeing What Isn't There: The Invisible Man and #MeToo Michelle Kay Hansen (p. 211)
	Believable: Feminist Resistance of Rape Culture in Netflix's Unbelievable Tracy Everbach (p. 225)
	Contributors (p. 241)
	Index (p. 245)

Description: »Screening #MeToo offers an important and timely discussion of the pervasive nature of rape culture in Hollywood. Essays in the collection examine films released from the 1960s onward, a broad period that coincides with the end of the Motion Picture Production Code in Hollywood, which resulted in more frequent and increasingly graphic images of sex and violence being included in mainstream movies. Focusing on narratives in which surveillance and sexual violence feature prominently, contributors from North America and Europe examine a variety of film genres, including spy films, teen comedies, kitchen sink dramas, coming-of-age stories, rape/revenge films, and horror films. Reflecting the increasing social and academic awareness of sexual violence in Hollywood film and its transmission and cultivation of rape culture in the United States and abroad, they are concerned not only with the content of the films under scrutiny but also with the clear relationship between the stories, how they are being told, and the culture that produced them. Screening #MeToo challenges readers to look at mainstream Hollywood films differently, in light of attitudes about art and power, sexuality and consent, and the pleasures and frustrations of criticizing "entertainment" films from these perspectives.« (Source: State University of New York Press)

Wikipedia: History of the Americas: History of the United States | Feminism: Feminist terminology / Rape culture | Film: Cinema of the United States / Films about rape | Sex and the law: Rape / Rape in the United States